How do you respond to Shakespeare’s presentation Essay

The theme of fathers and sons, and responsibilities and obligations placed on sons, by fathers, is arguably one of the more important themes in the play. Shakespeare puts forward three main interpretations of father and son relationships, and each brings out interesting viewpoints about responsibilities and obligations for the reader. The first father and son relationship that Shakespeare presents is that of Hamlet and his father, old Hamlet. In the encounter between Hamlet and the ghost of his father, Hamlet has the ‘responsibility’ of revenge thrust upon him, and he cannot reject it, List, list, O, list! If thou didst ever thy dear father love – If thou hast nature in thee, bear it not. Shakespeare presents old Hamlet as being pathetic and incapable of avenging himself. The ghost, therefore, does not incite Hamlet’s initiative by instilling fear in him, but rather through putting him in a guilt-trap, making Hamlet feel that he is somehow obliged to carry out the vengeful murder in place of his father, as the ghost cannot attend to it himself. In my opinion, this action, on the part of the ghost, was the ‘final push’ that caused Hamlet to fall into his apparent madness. Hamlet was obviously moved by the ghost’s words. And thy commandment all alone shall live Within the book and volume of my brain, Unmixed with baser matter. This was very largely unfair of the ghost of his father, on Hamlet, enthusiastic though he seemed at first. It placed an unnaturally large amount of pressure on Hamlet, having to commit such a daunting act, however justified it may have seemed. Shakespeare emphasizes the effect of this action in Hamlet’s life, in the many incidences and soliloquy’s where Hamlet just muses, thinks the situation out and talks about it, but can never bring himself to actually do anything about the revenge. In the relationship of Laertes and Polonius, there is not so much responsibility placed on Laertes by Polonius, as there is nagging and nitpicking about the way that Laertes should present himself and the way he should live his life when he is overseas. In this sense, the ‘responsibilities’ being placed on Laertes are those of keeping in his father’s will and rule, and maintaining a good name for himself. At the point in the play, in act I. 3, Polonius is displayed by Shakespeare as just another normal father, or maybe more appropriately, a mother, who is proud of his son, but needs to remind him to keep a good image all the same. This ‘bestowing’ of responsibility can be considered to be only natural for any father to do. However, in act II. 1, we see that Polonius is actually quite obsessed with the idea that his son might bring shame to Polonius, and goes to the extents of sending a spy keep a watch on Laertes, and even ‘muddy’ his name, so that he does not get too comfortable. But breath his faults so quaintly that they may seem The taints of liberty, the flash and outbreak of a fiery Mind ‘I saw him enter a house of sale’, Videlicet, a brothel, or so forth. Polonius even goes to extents of ‘dishonouring’ so that he may retain his own honour, which is a rather strange sense of logic. In this sense, it can be said that Polonius places responsibility on his son just to save himself any possible shame. This is rather selfish on the part of Polonius, but it is in accordance with Shakespeare’s illustration of Polonius’s character as being that of a conniving, scheming, slightly evil old man that you might feel sorry for. In the relationship of young Fortinbras and his foster-father, or father-figure, old Norway, we see, again, a ‘normal’ attitude of a parent toward their child. When Fortinbras’s plans for an attack on Claudius’s realm are found out by Norway, he immediately admonishes the impetuous firebrand of a youth and prevents him from doing so. When Fortinbras indicates that he doesn’t actually want to go along with the attack, Norway forgives him and even allows him to come to Denmark on peaceful terms. In this sense, old Norway is teaching Fortinbras the responsibility of thinking clearly and not acting rashly or whimsically. On the whole, Shakespeare presents the responsibilities and obligations placed on the sons, by their fathers, in Hamlet, as ways for the fathers to get what they want. In the case of Hamlet and the ghost, it is for the ghost’s want of revenge and justice for a ‘murder most foul’, without much thought as to the effects of the deed, and even the contemplation of the deed, in the case of Hamlet, on him. In the case of Laertes and Polonius, it is a selfish and unwarranted want to save his own face from any shame that Laertes need not necessarily have caused in the first place. In the case of Norway and Fortinbras, it is the want to maintain good diplomatic relations and the prevention of unnecessary quarrels. In all cases except the diplomatic one, the fathers in question were rather selfish and self-centered in thinking of ways to get their sons to do their bidding. In the case of Norway and Fortinbras, it was done for diplomatic reasons, but it was still to save the bed-ridden Norway’s old skin. This gives a rather negative impression of father figures and what they tell their children to do. Possibly, Shakespeare chose to illustrate these aspects of fatherhood the way that he did because it was his own interpretation of ‘responsibilities and obligations’ set down by fathers, maybe drawn from his own bad experiences with his own father during his younger days. Hamlet, as a play, could be then seen to be a Shakespearean ‘self-help’ guide on â€Å"How to know what is right to do as a father by knowing what is wrong to do as a father†, and it could have been a lesson to all the bad fathers out there who use manipulate their sons as they would a mindless henchman.

Learning how to act: my personal journey in discovering my acting process

Many perceive the work of an actor as a lot of fun and that it is easy as saying the alphabet. After all, who among us have not acted at one point in our lives? Haven’t we put up an act when faced with daunting situations in our lives? Haven’t we said lines that weren’t really part our true personality? All of us have acted one part or another at different times in our lives. But to be an actor is not just about putting up an act. What many people do not understand is the fact that acting is just like any other job –you have to put a lot of work in it to perfect it. It is not just a talent you have. It’s a skill that must be developed over time and practice. In theater and in acting, it is true that practice makes perfect. With this thought, it necessarily follows that a real actor must continue to learn how to act and make it as natural as it possibly can. It is thus very useful that many books have been written about how one can best capture the art of acting and how one is able to play a role and not just merely act it. I have used these books in my own personal journey in discovering my very own acting process. And I must admit that doing so has made my work, and my life, as an actor even more meaningful. Let us first take, for instance, the book written by the Members of the Atlantic Theater Company called A Practical Handbook for the Actor. In sum, this book outlines and explains the Practical Aesthetics Technique where emotions are explored through the use of the imagination and the pursuit of a physical action. Practical Aesthetics is an acting technique developed by Pulitzer Prize-winning playwright David Mamet. The book is co-written by Melissa Bruder, Lee Michael Cohn, Madeleine Olnek, Nathaniel Pollack, Robert Previto and Scott Zigler. It is based upon a series of workshops by acting coach David Mamet. According to this book, Bruder, et. al. postulate that â€Å"acting, like carpentry is a craft with a definite set of skills and tools† (Bruder, et. al., 1986). The book mainly aims to teach up and coming actors like me to find the truth in every scene they are to perform and to be able to identify the specific actions in the production and why they are doing them. I must say that I agree with the book when it said that the process of an actor begins before any acting is offered. To do this, I agree that that actors like me must learn to always keep themselves in a state of optimal conditioning. Doing this will allow us to immediately connect to any character that are assigned to us to portray as well as to discover the essence of character. To move in this direction, I start evaluating and considering all given circumstances of the character. I try to familiarize myself with the character or role I am to play as well as make every effort to explore their world. In addition, I try to see any parallelisms between the role I play and the real me. I’ve learned that this is an important aspect in my acting process since it will allow me to understand where my character is coming from or why they might tend to feel a certain way. Personalizing a role has become an integral part of my job as an actor. I believe this is the only way where one actor can bring a particular character to life. Another aspect that must be highlighted in carrying out the tasks of an actor is memorization. Without a doubt, memorizing the lines –knowing what to say and when to say it—is an integral part of being an actor. As noted in the book, an actor can learn much about the play and the role in the process of memorization. As we learn to memorize the words out of context, the book noted, we realize the importance of giving each and every word the attention and focus it deserves. The reason by which the character must say those lines should also be sought (Bruder, et. al., 1986). I also have learned that memorization is much more than learning the lines. It is also learning the perfect delivery of each line of the character. This is where vocal training comes into play. Delivering your lines in a clear, crisp and understandable manner is a very important facet in the life of an actor. Just like other actors who have read and experienced the book A Practical Handbook for the Actor, I have learned that the voice is a system, with layers of muscles, bones, tissues, and fibers that must be maintained in performance shape if expected to respond on command.   My vocal chords are actually the way by which my characters are able to speak what they want. With this realization comes the decision to include a basic vocal workout into my daily routine so that each word that I say on behalf of the character I play comes through in the way it should. As I earlier noted, timing is just as important as learning the words to say. To get into character, an actor must learn to always know what the character needs and wants and why they are inclined to say a particular line at a particular time. To be able to do this, I have learned the importance of reading through the script over and over and over again. As noted in the book A Practical Handbook for the Actor a script and character analysis requires sharp and thorough thinking skills and insight. As much as possible, I try to go over the script quite a number of times and try to assess if I was able to get the whole picture correctly. I try to make notes of how I understand each emotion being felt by the character and try to see if the same analysis will hold true the next time I read through the script. I aptly call this text analysis whereby I assess if I have covered everything I need to cover in terms of knowing my character and his lines. I believe this is very helpful in getting to know my character in a deeper level. I believe that only when an actor knows his character in a deep and meaningful level can an actor will be able to react naturally in all situations –scripted or otherwise. I agree with the book when it noted that text analysis is the skeleton of the character. It provides the actor some baseline information on which reviews can be made to hone a certain technique. This process also helps me stay on the objectives at hand and allows me to make use of various tactical ranges. In trying to approach acting, I have tried to remember the words of the famous Konstatin Stanislavski when he said that one should always approach a role as directly as possible and see if it lives. He noted that if the role and the actor has a connection, then there would be no point in applying a certain technique towards acting. But, as an actor, I also know that this does not happen often. Hence, learning a certain technique towards improving one’s craft is very important. Many actors today admit that Stanislavski's System is a complex method used to produce realistic characters. When using the Stanislavski's System, an actor is required to deeply analyze his or her character's motivations. The actor must learn to discover the character’s objective in each scene and the so-called super objective for the entire play. To do this, I have learned to also apply Stanislavski's â€Å"magic if† where an actor is able to ask questions about their characters and themselves such as â€Å"what if I were also in the same situation?† How would I act then? This thinking gives me a deeper understanding of the actions of my characters as well as an insight of what is going through in his mind. One other important aspect that I find interesting in the Stanislavski's System is his focus on the Method of Physical Action. I find this interesting because he placed as much emphasis on the physical aspect of acting as he does on the emotional part. Many actors, including yours truly, have this thought running in our heads that emotions form the better part of how acting should be. But Stanislavski says otherwise. He notes that physical action is just as important as the emotional aspect of a scene. According to Stanislavski, the Method of Physical Action has brought him to a complete dealing with the instrument of the actor. But what exactly is this so-called Method of Physical Action? The Method of Physical Action is said to be based on the idea that emotional life is a kind of two-way street and that the only thing an actor will ever have control of in his life as regards himself is his body, nothing more. There is never a direct line to emotions in performance, only to the body. Quite simply, the body must be used to convey the emotions. Stanislavki stressed on the need for the actor and the director to work hard in using the actor’s body –the body being the primary material of creation. He added that the purpose of rehearsal is how to come to physical actions that affect the actor and bring life to the scene at the same time. In fine, Stanislavski noted that the art of performance cannot be learned from literature alone but also from action; from performance and not just mere observation. As a result, I have learned to be more conscious of my physical action in converying emotions to the audience. After all, an audience will not necessarily feel my sadness unless I am able to phyiscally convey it to them by means of tears and a sad facial expression, among others. Another important thing I have learned in my journey to discover my personal acting process is the idea or concept of growth. I realized that an actor, just like anyone else, must continue to grow in each and every role that he plays. As noted in the same book, an actor must learn how to embrace the importance of the never-ending process of growth. The journey of acquiring additional knowledge, filling and refilling the artistic tank, humbling oneself to a point that permits an explosion of growth or even one good â€Å"Ah Ha† moment is not only important, but also essential to one’s life as an actor and as a person (Bruder, et. al., 1986). As an actor I must continually grow and always be on the look out to better my craft. To do this, I must learn to immerse myself in a creative environment –one that will complement the skill and talent that I have as an actor. I now understand the importance of being in a group where I can let my creativity flow free and at the same time, learn from the people I am with. It has been said that the day you stop learning is the day you start dying. As an actor, and as person, we must not let that happen. I have learned the importance of learning while working and working while learning. When I say learning, I don’t just mean it to be a classroom-type of learning. I also talk about learning through observation. We must learn to observe the environment we move in, the people around us, the places we go to. I must say that I agree with Alice Ripley when she said that acting all is about experiencing life and then carrying that experience with you on stage. It is also in this concept that I have learned to make bold choices in my life as an actor. I have learned not to be afraid of unconventional roles or ways of acting out a part. Making bold choices is, I believe, an integral part of learning. I have realized that I will grow as an actor if I can take on roles that are new to me or if I can step out of roles that are stereotyped.   Doing something different each day is the spice in an actor’s life and I have learned to look forward to every opportunity in spicing up my career with bold moves. Using presence of mind and common sense is also an important part in carrying out my acting process. As an actor, one must be ready for anything –a missed line, a prop that is not in its right place or a miscued entrance. When these things happen, common sense is the one thing that will save an actor from a disastrous scene. Coming up with adlibs or learning how to subtly put the misplaced prop in its rightful place is a skill that must also be honed as an actor. I believe that presence of mind can be assured when an actor is focused on the play at hand. I would like to call it simply as â€Å"being in the moment†. Being in the moment is more than just being in character. It involves being aware of the entire acting environment and learning how to cope with unexpected events whenever needed. As actors, it is not rare to find ourselves in situations where we are so focused in our roles that we tend to miss some of the difficulties encountered by our co-actors. In situations like these, we must learn to salvage the scene by helping our co-actors find their groove again, so to speak. Lastly, I have learned that I have to learn to enjoy what I do as an actor. I must enjoy the variety of roles I play –knowing full well that not everyone is able to live in a world separate from their own reality. I have learned, in my own acting process, the idea of making acting as fun as it can possibly be for me and my fellow actors. I agree when they say that acting should be fun, challenging but fun. My acting process, I realize, will change over time. It will adapt to the environment I am moving in and the roles I will be playing. But one thing should remain the same: it must always be fun. I must find a way to make it a fun learning experience each time. After all, when we enjoy what we do, the audience feels it. And the audience deserves nothing less than the best of ourselves as actors when we go up on that stage. References: Bruder, M., et al. (1986). A Practical Handbook for the Actor, New York: Random House, Vintage Books. Stanislavski, C. (1936). An Actor Prepares, New York: Routledge.

People Should Not Persuade Others to Join Their Religion Essay

I agree with the statement ‘People should not persuade others to join their religion’ because it’s the persons choice. Everyone has the right to choose what religion they want, or don’t want, based on their own reasons and feelings and no one should try and influence them into choosing one religion that they may not actually believe in but have been persuaded by others that it is the best religion to choose. Traditional Christian Missionaries would most likely disagree with what the statement says. They believe that they should go around spreading the gospel to persuade people to join Christianity because it is a job that God wants them to do. They take passages from the bible like John 14; No one can get to God except through Jesus, and John 3:14; Whoever believes in Jesus will not die but have eternal life, literally and use them to convince others that they have to join the Christian faith because it is the only way they can truly be connected with God. I do not agree with this point of view because if they are following their faith to the letter, then most religions teach that God will always be there for you even if you don’t have a faith so you don’t have to believe in Jesus to connect with God. However the fact that they have based what they believe in on the bible shows at least that they are trying to do what they believe is right and what God has told them and what they are supposed to do. Alternatively, modern missionaries might also agree with the statement because, instead of trying to persuade people to join Christianity, they do good work and evangelise because they believe it’s what God wants them to do. They believe God does not need them to convince others to join Christianity but just to spread his word to everybody because they are all one in Jesus Christ no matter what their faith is and as long as they keep spreading the gospel rather than using it to encourage people to join their faith they are doing what God wants and if people do convert to Christianity because of it then it has been their choice to do so. I think this is a much better view of what a missionary should do because it means they can still spread the word of God to people who might need to know about it so it can help them and they can still do the good work that God wants them to but they are not trying to be bias to any religion and they do not take away anybodies right to choose the way that they feel or believe. Atheists do not believe in any religion or God which is why some people may believe that they need to be persuaded to a become religious because they  think everyone needs to believe in God or a God and everyone needs to have a faith. However I don’t think that atheists would want to have anybody trying to persuade them to join their faith because they do not think any God exists. They may also argue to people who say that everyone has to have a faith that their faith is that they believe that the Wholly Other is not real. They would probably agree with the statement if people have chosen what they want to believe in then people should accept what they have chosen. Overall I agree with what the statement says because it is everyone’s human right to have a choice about everything they believe and other people trying to change that shouldn’t happen.

Cultures in the World Essay

To define culture is not easy because culture means different things to different people. Hence there many definitions of culture as there are many different cultures in the World. Anthropologists define culture as social behaviour of human beings. To others dance, music, theatre, artifacts and fashion constitute culture. On the other hand, fashion is a style characteristic of the social elite and is mainly associated with social class and is highly dynamic. Hence fashion should be in current mode for instance a garment. Fashion, style, vogue or even mode are used interchangeably to refer to a preferred type of dress, behaviour, adornment or a way of life at a given time span. In broadest terms fashion usually refers to conventions which are generally accepted by a society or by any culture or even a subculture. Style like mode often stresses the adherence to standards and elegance and should be socially accepted. For instance miniskirts were the mode in the late sixties. Vogue is applied to style or fashion that prevails widely but often suggests enthusiastic but short lived acceptance (The American heritage 2003). Wilson, further states that fashion is always in a continual change and sets the terms for all sartorial behaviour (Wilson 2003). The importance of fashion can never be overemphasized in the current world since fashion now is always around us from media to our daily lives in clothing and even automobile sector. Let it be clearly noted that fashion is for aesthetic as well as societal class, elegance and modesty. In the current years fashion has become a major factor affecting the psychosocial wellbeing of major cultures and subcultures in the world. This influences the life of people both in style and preferences and their economical sphere. The growth of fashion is linked with the development of cities and urban centres in the 14th century and the growing sophistication of the courts. But it is only in 15th and 16th centuries when people developed the culture of fashion and class such that they felt shameful to wear outdated clothes (Wilson 2003). The entrance of fashion led to increased spending on clothes and a clear cut class differences. The rise of bourgeoisie became so much crucial in the development of fashion and style. The poorest class received the cheapest clothing with the people in the highest level in class ladder wearing the most expensive clothes. With the rise of Industrial revolution came capitalism hence new markets for clothes in fashion and fashion became more and more important with the circulation of images in mass communication. GENDER AND FASHION In the current contemporary world, fashion has become the order of the day. Media houses and world class beauty and model centres have been developed all over the world especially in Europe and U. S. A. However, unlike the past where fashion was associated with female, this industry welcomes both genders nowadays. But because of the past skewed interest of ladies in the industry they are still the major players. Nevertheless, almost every one in the current society setting especially in urban areas appreciates fashion and style and is a product of the same in one way or another. People are more conscious when it comes to fashion and no one is willing to be left behind in the outdated world hence consumption of these fashion products has tremendously risen. ‘Dress is a practical negotiation between the fashion system, the social conditions of everyday life such as class and gender as well as rules or norm governing particular social situations. The outcome of this complex interaction cannot be known in advance precisely because the habitus will improvise and adapt to these conditions’. Thus dress is a personal attempt to orientate ourselves to particular circumstances and thus recognise the structural influences of the social world and the individual on the other (Entwistle 2000) FASHION AND MODERNITY Fashion has kept pace with modern life. It has followed every step the global world is making and is by itself part and parcel of the globalised world. From North to South, West to East fashion is seen to influence the global ways of life. However, this is bringing about similarity and extinction of cultures since fashion and culture are linked and the change of one leads to change of the other. Since fashion is dynamic it follows that the fashion of yester years is different from the fashion of today hence today’s fashion is new and can be termed as modern. Modern fashion has greatly been affected by the present technological advancement and the entrance of new marketing approach. For example, the use of internet has revolutionized this industry. It is not a wonder therefore what is considered modern in London today is even being used the following day in Washington. This has promoted customized fashion products to promote what many fashion stars look for in fashion; uniqueness and class. Fashion and style industry has in the recent decades been well established with increased sales as many people go for class and fashion. Also, the quality of the products has greatly developed thus fashion has become our way of life. FASHION, SUBCULTURAL & YOUTH STYLES It is important to distinguish between the concept of youth culture and youth subcultures. In general terms youth culture is more homogenous, doing similar things and being treated in the same way playing down aspects of differentiation. This idea was much popular with U. S sociologists in early 1960s. In modern youth culture emphasis is more on subcultures. Unlike the 20th c where fashion was highly linked with class, in 21st c the line of demarcation has narrowed and the mode of classification is not only on class lines but across a wide plane of social and cultural identities. Hence the youth even in ghettos are coming up with their modes of fashion. The issue of subcultures within the large framework of culture in a society is a major phenomenon. Hence these subcultures act as the seed bed for fashion that is embraced by the larger society. The link between class and identity is far less apparent in the 20th c, in particular since high fashion is democratised and not longer the prerogative of a small elite. In contemporary culture distinction does not run along class lines alone but across a wide plane of social identities. Thus, rather than being only imposed from the top, fashion is also ‘bubbling up’ from the street and youth cultures (Entwistle 2000). The use of style brings across clear identity within the youth and serves to sometimes oppose dominant values within the society. Youth tend to solve their problems of culture and fashion in their own unique understandable way hence they act against the main stream fashions of the old. However their fashions and style are dominantly affected by the media and celebrities entertainment industry. Fashion trends brought forward by top musicians come fast and go quickly. These fashions and styles linked with subcultures are known to be diverse as the youth are dynamic. Therefore the rate of change of any fashion within a subculture is higher than in the dominant cultures. The youth also customise fashions by either adding or removing some parts from the original fashion to create a different identity. And for sure youth have revolutionised the world of fashion and culture, in the contemporary world. Therefore fashion is regarded as a mode of identity by the youth and serves as the avenue through which the youth express themselves. EFFECTS OF FASHION ON CONSUMERISM The cycle of fashion in the modern times has been found to influence the level of consumerism in the current world. Fashion is fueled by change and conversion. Designers always persuade their customers that their new fashions are everything they need. In the next season the same designers convince their customers to bade farewell to outdated designs and instead embrace the new trends in their latest collections. Western society’s culture of mass consumerism has widely been influenced by the fashion cycle. Sociologist Stella C. (1993) likens fashion cycle with the rolling waves of the sea. As one fashion gains popularity and is outdated another style is gaining momentum and this change our modern culture. Today’s fashion is not only placed on the contest of youth, sexuality and historicism, but also previous culture movements and shows fashion reflects its surrounding, its subjects but ultimately itself. FASHION AND CLASS Fashion is known to influence lifestyle and how people relate within the society. However this relationship is both on the individual and societal levels. Fashion is a product of class division since many people want to be seen in a unique way within any given society and societies also show their class differences using fashion hence affecting the culture of present societies. CONCLUSION It is true that fashion and culture are highly interlinked. A culture that appreciates fashion is a culture that is dynamic and ready to follow where its fashion leads it to. Modern culture is hinged on the fashion of each passing day and unlike the past psychosocial behaviour is influenced by fashion on a larger scale. Youth subcultures promote their own form of fashion which may be interlinked with fashions within the larger sphere of culture. These fashions serve to show their rebellious identity. The cycle of fashion has seen unnecessary changes of fashion due to designers who look forward to make profits and are out to change fashions as quickly as practicably possible. Hence the world is supposed to be aware of these uncalled changes in fashions. Unethical issues are also related to fashion and culture. Therefore, some people see it like their religious and spiritual beliefs are affected by fashion. However on a global perspective fashion has promoted the entrance of more products in the world market leading to increased competitiveness. Modern global culture is a mirror of fashion and design. REFERENCES Bruzzi Stella, and Patricia Gibson, 2000, Fashion Cultures: Theories, Explorations, and Analysis. London; New York: Routledge. Craik, Jennifer, 1993, The Face of Fashion: Cultural Studies in Fashion. London; New York: Routledge. Entwistle, J. 2000, The Fashioned Body: Fashion, Dress and Modern Social Theory. Cambridge: Polity Press. Malossi, G. 2000, Material Man: Masculinity, Sexuality, Style. New York: H. N. Abrams. The American Heritage, 2003, Dictionary of the English Language, Fourth Edition by Houghton Mifflin Company. U. S. A.

Plumbing Business

INTRODUCTION Plumbing (from the Latin plum bum for lead as pipes were once made from lead) is the skilled trade of working with pipes, tubing and plumbing fixtures for drinking water systems and the drainage of waste. A plumber is someone who installs or repairs piping systems, plumbing fixtures and equipment such as water heaters. The plumbing industry is a basic and substantial part of every developed economy due to the need for clean water, and proper collection and transport of wastes.Plumbing also refers to a system of pipes and fixtures installed in a building for the distribution of potable water and the removal of waterborne wastes. Plumbing is usually distinguished from water and sewage systems, in that a plumbing system serves one building, while water and sewage systems serve a group of buildings or a city. The name of my small plumbing business is water tubes plumbing co. it is located at obehie, very close to veritas university, it provides homes with the best of plumbin g services, with a great range of new equipment. Executive SummaryWater Tubes Plumbing  is a Eugene-based plumbing company that has chosen residential new homes as their niche. Water Tubes will be able to handle any service request for plumbing of volume home builds or custom new homes. By concentrating on a specific segment of the market, Water Tubes will be able to rapidly gain market share  demonstrating their proficiency and professionalism in serving a specific market niche. Water Tubes will leverage their competitive edges of professionalism and trim quality by properly training all of their employees and impress customers who are used to the lackadaisical attitude of most plumbers.Water Tubes will have a total of four employees and will reach profitability by month eight. Objectives The objectives for the first three years of operation include: To  develop a  company whose primary goal is to exceed customer's expectations. To increase sales so in four to five years Do n can hire another master plumber. To create a sustainable business, surviving off its own cash flow. Mission Water Tubes Plumbing's  mission is to provide the finest new house plumbing installation. We exist to attract and maintain customers. When we adhere to this maxim, everything else will fall into place.Our services will exceed the expectations of our customers. Keys to Success The keys to success are to provide the customer with a fair price and outstanding service. Materials Water systems of ancient times relied on gravity for the supply of water, using pipes or channels usually made of clay, lead, bamboo or stone. Present-day water-supply systems use a network of high-pressure pumps, and pipes are now made of copper, brass, plastic, or other nontoxic material. Present-day drain and vent lines are made of plastic, steel, cast-iron, and lead. Lead is not used in modern water-supply piping due to its toxicity.The ‘straight' sections of plumbing systems are of pipe or t ube. A pipe is typically formed via casting or welding, where a tube is made through extrusion. Pipe normally has thicker walls and may be threaded or welded, where tubing is thinner-walled and requires special joining techniques such as ‘brazing', ‘compression fitting', ‘crimping', or for plastics, ‘solvent welding'. Fittings and valves In addition to the straight pipe or tubing, many fittings are required in plumbing systems, such as valves, elbows, tees, and unions. The piping and plumbing fittings and valves articles discuss these features further. FixturesPlumbing fixtures are designed for the end-users. Some examples of fixtures include water closets (also known as toilets), urinals, bidets, showers, bathtubs, utility and kitchen sinks, drinking fountains, ice makers, humidifiers, air washers, fountains, and eye wash stations. Equipment Plumbing equipment, not present in all systems, include, for example, water meters, pumps, expansion tanks, backflow p reventers, filters, water softeners, water heaters, heat exchangers, gauges, and control systems. Now there is equipment that is technologically advanced and helps plumbers fix problems without the usual hassles.For example, plumbers use video cameras for inspections of hidden leaks or problems, they use hydro jets, and high pressure hydraulic pumps connected to steel cables for trench-less sewer line replacement. Systems Copper piping system in a building with in tumescent fire stop being installed by an insulator, Vancouver, British Columbia, Canada. The major categories of plumbing systems or subsystems are: Potable cold and hot water supply Traps, drains, and vents Septic systems Rainwater, surface, and subsurface water drainage Fuel gas pipingFor their environmental benefit and sizable energy savings hot water heat recycling units are growing in use throughout the residential building sectors. Further ecological concern has seen increasing interest in grey-water recovery and tr eatment systems. Self-leveling silicone fire stop installation in mechanical service penetration in 2 hour rated concrete floor. Fire stopping is required where mechanical pent rants traverse fire-resistance rated wall and floor assemblies, or membranes thereof. This work is usually done worldwide by the insulation trade and/or specialty fire stop sub-contractors.Regulation Much of the plumbing work in populated areas is regulated by government or quasi-government agencies due to the direct impact on the public's health, safety, and welfare. Plumbing installation and repair work on residences and other buildings generally must be done according to plumbing and building codes to protect the inhabitants of the buildings and to ensure safe, quality construction to future buyers. If permits are required for work, plumbing contractors typically secure them from the authorities on behalf of home or building owners.In the United Kingdom the professional body is the newly Chartered Institut e of Plumbing and Heating Engineering (educational charity status) and it is true that the trade still remains virtually ungoverned; there are no systems in place to monitor or control the activities of unqualified plumbers or those home owners who choose to undertake installation and maintenance works themselves, despite the health and safety issues which arise from such works when they are undertaken incorrectly – see Health Aspects of Plumbing (HAP) published jointly by the World Health Organization(WHO) [8] and the World Plumbing Council (WPC) [6].WPC has subsequently appointed a representative to the World Health Organization to take forward various projects related to Health Aspects of Plumbing. Starting up a plumbing business Well, if you are starting your own business involving skilled workers working with pipes, tubing and plumbing fixtures for water systems and drainage, then you should know exactly where your plumber is. If you wish to launch your own plumbing busi ness, the first thing that you should decide on is what kind of plumbing business you wish to start: service-oriented or product-oriented.If you are a business entrepreneur and you want to start a product-oriented plumbing business, you basically act as a supplier of pipes and tubing paraphernalia. You can also sell tools and other equipments to supplement your plumbing supply business. On the other hand, a service-oriented plumbing business can go two ways: a plumbing and heating business, and a fix-‘er-upper. The former is a business arrangement where you set up the necessary components of plumbing, heating and drainage in any architectural structure. The latter, on the other hand, is the most common type of small business plumbing type.The fix-‘er-upper (from the term fix her up) is when a house owner calls up a plumber to fix a broken sink or a clogged toilet, etc. This kind of business can still be categorized further as contractor and small business plumbing. For p urposes of discussion in this article, we will detail what business entrepreneurs need to do in order to start a fix-‘er-upper plumbing business. Obviously, you would need a plumber for this trade, preferably a skilled plumber who can install and repair piping systems, plumbing fixtures and water heaters.If you are a contractor, you need to know where to find reliable and trustworthy plumbers. Try to hire ones that have the most experience and are able to do quick work with minimal supervision. If you have inexperienced workers, it would be best to apprentice them with your veteran plumbers on their first few runs. As a contractor, it is your duty to buy the equipments and tools your workers need, get them to your clients when called and bill your clients accordingly. The plumbing business is a lucrative trade, if and when your plumbers can get to a job on time.Starting a plumbing business like this entails registering your business, acquiring a plumbing business license and e ven maybe acquiring plumbing business software so that you can bill your clients immediately and precisely. Transportation is important. The other type of fix-‘er-upper plumbing business involves just you, provided of course that you are a plumber. As a micro-entrepreneur, you can start this business from home; you don’t even need a complicated business set up as long as you’ve got the skills and tools to do the job.A successful business of this sort still needs to be registered and licensed, so don’t overlook that. Your business success is actually dependent on two things: how well you do your job (that your clients will seek and refer your services often) and how well you advertise your trade. As a plumbing business owner, you know that your services will not have a running start unless people know that you are a plumber, and that your services are available. Plumbing business cards are essential.If you can’t afford these as of yet, putting up fly ers and home-made posters can do most of the advertising for you. However, nothing beats word-of-mouth advertising. So tell your friends and family members that you are starting a plumbing business and ask them to help refer you to potential clients. Know the local requirements In addition to understanding the general guidelines for setting up any small business, you must explore the specific professional, legal and regulatory guidelines that are required to set up and operate a plumbing business in your locality.Licensing Professional licensing and certification requirements must be obtained to start and operate a plumbing business. Each state may have a different name for its licensing agency, but typically they have a name like The Department of Business ; Professional Regulation or the Construction Industry Licensing Board. Seek assistance from local business development providers You can also seek guidance and assistance from organizations in your area such as the local chapter of score or a local Small Business Development Center. Seek assistance from trade groupsBefore setting up a plumbing contracting business, find out if there is a local chapter of a national trade association like the Plumbing Heating Cooling Contractors Association (see link below) who can provide you with information about the requirements of setting up a plumbing business in your area. After being established, a membership in such organizations can provide you access to business and management training, along with professional development resources. Marketing a plumbing business It takes time and effort to grow any small business.As is the case with most service industries, plumbers tend to find most of their customers through word of mouth. The key to great word of mouth referrals is to provide great service at a reasonable cost to your current customers. Traditionally, telephone Yellow Page listings are important to developing business for residential repair and maintenance bus iness. Internet advertising, especially search advertising, is becoming more and more important to any professional service provider like plumbers. You need to know how to make sure that potential customers find your company's name when they search for a plumber in your vicinity.Franchise and cooperative marketing plumbing businesses Rather than create a totally new plumbing business, some plumbers consider buying a franchise of a national or regional franchise plumbing company. (Be sure to read the SmallBusiness. com Guide to Franchising for important suggestions and background on things you should explore when considering becoming a franchisee. ) In some locations, independent contractors may enter into joint marketing cooperatives that allow them to gain referrals and other marketing services in exchange for a recurring fee or commission. Plumbing Business PlanIf you are to open A Plumbing Business you will need to do a lot of things! We have no doubt that if you are to open A Pl umbing Business you will understand everything about the Plumbing Business but we can help you with a simple checklist of the things that every business has to do. Decide whether to buy an existing business, start a new business, or buy a franchise. Decide on the form of business: partnership, limited company, corporation or sole proprietorship. Estimate how much cash you will need to start your business advertising, fixtures, decorating, inventory, fees, working capital, etc. and estimate your monthly expenses.If the business will be incorporated you must decide where. If you will form a partnership, draft the partnership agreement. Check local laws in regard to zoning, permits, and licenses your business may require. Obtain a minute book, corporate seal, and stock certificates. Conduct a market analysis to determine the viability of your enterprise. Select and reserve a corporate name (first and second choices). Select officers and directors (names, addresses, and Social Security numbers). Develop marketing, advertising, and public relations plans. Develop a capitalization / borrowing / credit / debt service plan and cash flow plan ObjectivesThe objectives for the first three years of operation include: To  develop a  company whose primary goal is to exceed customer's expectations. To increase sales so in four to five years Don can hire another master plumber. To create a sustainable business, surviving off its own cash flow. Profitably carry out quality Hydraulic projects within Australia whilst:  · Producing workmanship in excess of our clients requirements.  · Completing projects earlier than the contracted completion dates.  · Ensuring the health and safety of employees and the general public.  · Minimising disturbance to and effects on the environment. Providing secure and satisfying employment for all employees. A sample of a company’s plumbing plan Company Summary Water Tubes Plumbing, soon to be located in Eugene, OR, will offer pl umbing services for residential new houses as well as custom new houses. The business will be based out of Don Roto's house. Water Tubes will have four employees by the end of the year. Start-up Summary Water Tubes will require the following equipment and materials: Two trucks (used) fitted with a pipe rack on top. Assorted pipes (different diameters and materials). Assorted fittings.A 30 gallon bucket to store fittings. Pipe wrenches. Reciprocating saw. Circular saw. Whole hog (high torque right angle drill). Cordless screw gun. Propane torch. Cast iron pipe cutter. Extension cords. Pipe dope (Teflon tape in paste form). Computer with CD-RW, printer, Microsoft Office, QuickBooks Pro. Desk, chair, and filling cabinet, and assorted stationary. Mobile phone. Please note that the items which are considered assets to be used for more than a year will be labeled long-term assets and will be depreciated using G. A. A. P. approved straight-line depreciation method.

Cuban Collection Against the US Essay Example | Topics and Well Written Essays - 750 words

Cuban Collection Against the US - Essay Example After the collapse of the communist U.S.S.R. in 1991 Cuban military capability has diminished to a great length, and the government uses Direccion General de Intelligencia (DGI) to provide security against an interference of the internal affairs of the country from the U.S. The Cuban regime knows it too well the threat they face from the United State government and have sent DGI agents to gather intelligence and prepare the regime to counter any philosophical ideas in the country social, economic and political structures. This was evidenced by the arrest of the Cuban Five in 1998 in the U.S, Ana Montes in 2001 and Gwendolyn & Walter in 20093. This demonstrates how the Cuban prioritize on spying on the U.S government even with the defeat of communism. According to the House Committee on foreign relations, Cuba posed a threat to American citizen. Ms. Ros Lehtinen argued that the Castro regime threatened the U.S. national security interest with its state sponsored terrorism operation just 9 miles away from American shores4. The committee members also discusses the Cuban espionage operation by the Wasp network in the country’s military installations. Moreover, the Cuban regime has had used its spy agent to attack the U.S cyber system. The tension between Cuba and the United State is so severe that many CIA agent have died while in Latin America as a result of their counterpart in the U.S colluding to provide classified information to the Cuban regime. The Cuban regime has also used its doctors to spy on its behalf when they are shipped all over the world5. Fidel Castrol has been a stabling block of U.S President that have assumed office since he seized power in 19596. The U.S tried to remove Castrol from power in the early 1960 through spying and other scheme, but it failed in all its operations. For this reason, the DGI and foreign contracted CIA agent

Assignment Example | Topics and Well Written Essays - 250 words - 289

Assignment Example However, technological innovation is analyzed as a changing network of agents interacting in an industrial area and in an institutional infrastructure involved in generating, diffusing and utilizing technology. Technology innovation is the process that that brings improved and developed technologies widespread. The reason of technological innovation is to analyze and later develop a particular technology field in structures and processes that support it. The components of technological innovations are called structures. These are representations of the static aspect of the system as it stabilizes over time. They consist of technical infrastructures and artifacts where they are integrated. They also involve the techno-economic that includes the costs, reliability and safety. However, the designing of a cost- effective technological innovation has become quite a challenge as the world has become more interconnected (Graetz, 2013).There are two things that are clearly uncontested by economists. The first thing is the importance of technological innovations in relation to the economic growth. In 1957, Robert Slow demonstrated how significant economic growth per hour of work in the United State s in 1909 and 1949 could be attributed to the advances in technology (Graetz, 2013). Development of intellectual property (IP) is an essential element to national wealth building. Therefore, the government supports the advances in technology in the form of IP legal protection, providing loans and grants and guarantees to both the profit and no-profit making organization research institutions. In addition, they tax benefits for research and development for the innovations. In cases of a closed economy, the citizens and the residents will reap the reward to direct their taxes to spur. Studies have addressed the effects of increased research and development on employment pattern and