Veitnam War :: War, History, Politics

  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Vietnam War   Ã‚  Ã‚  Ã‚  Ã‚   When most people hear the words Vietnam, what does it make them think about? The main answer most people come up with is death, or policing actions of the United States. The Vietnam War wasn’t about death it was about the French Colonial Rule of South Vietnam.   Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"The Vietnam War was the legacy of Frances failure to suppress nationalist forces in Indochina as it struggled to restore its colonial dominion after World War II.† This is the start of Vietnam War. This is also one way that America was brought into the conflict of Vietnam.   Ã‚  Ã‚  Ã‚  Ã‚  The war was further escalated by North Vietnam trying to go in South Vietnam and turn them into a communist nation. Then America was brought more deeply into Vietnam as a policing effort to stop communism. â€Å"Military leaders viewed the Vietnam War as the Chinese doctrine of revolutionary war in action, (using Chinese and Russian arms to boot.)†   Ã‚  Ã‚  Ã‚  Ã‚  The United States had a geopolitical aim, they were to try and contain the spread of communism. This is one of the main reasons for America to go to Vietnam, to help stop the spread of communism the â€Å"United States supported the anti-communist regime known as the Republic of Vietnam,† or South Vietnam. The United States was in Vietnam to stop the North Vietnam communism movement by means of the U.S. staring air raids in the country. â€Å" Despite the U.S. military aid, heavy bombing, the growing U.S. troop commitment, and some political stability in South Vietnam after the election, the two countries were still unable to defeat the Viet Cong and North Vietnam forces.

Mary Street by Peter Skrzynecki Essay

He emigrated to Australia in 1949 with his parents. Most of Skrzynecki’s poems are about his life and the change that he has experienced from moving to a different country. In 1951 the family moved to Sydney, to the working-class suburb of Regents Park, where a home had been purchased at 10 Mary Street. The poem â€Å"10 Mary Street† represents change as it shows the comparison between Skrzynecki’s life in Poland and his new life in Sydney and how he and his family have had to adapted to their new way of life and how the physical change of moving countries has changed them emotionally. Change is present in this poem as the poet uses the simile â€Å"Shut the house; like a well-oiled lock† to appreciate the order of daily ritual when departing in the morning. It indicates that the house is secure and protects the family. The simile â€Å"like adopted children† shows that the garden is not like any other garden to them. The language techniques that Skrzynecki uses in this poem are used to great effect and create a level of connection between the reader and Skrzynecki’s and how his life was. Some of the techniques used are: Similies: A simile is a figure of speech involving the comparison of one thing with another of a different kind, as an illustration or ornament, the effect that a simile has in a poem is that it paints a picture in our minds as a simile is a descriptive set of words e. g. â€Å"And smoked like a dozen Puffing Billies† Personification: A figure of speech that gives human qualities to abstract ideas, animals, and inanimate objects. It affects the reader by creating empathy, and allows the reader to associate with the poem and the message in it e. g. â€Å"In its china blue coat†

Mean Girls

Celebrity Culture in Mean Girls Mean Girls, written by Tina Fey and directed by Mark Waters, takes Its viewers through high school from the perspective of Caddy Heron, a young girl who never known what â€Å"high school† genuinely meant. Upon arrival, she makes friends with Janis and Diana, who were in the stereotypical â€Å"unpopular† crowd. They warn her to stay away from â€Å"The Plastics†, an exclusive clique that includes three drama-filled girls who are superficial, spiteful, and have vicious attitudes that obtain their power and fame from beauty and glamour.However, â€Å"The Plastics† ask Caddy to Join them. Caddy, Janis, and Diana together plot against the leader of The Plastics, Regina George, the most monstrous of them all. In reality, the more time Caddy spends with The Plastics, the more she starts to actually become one. The Plastics themselves show how monstrous qualities are formed in celebrity culture, while the use of Caddy is the perfe ct example of how culture builds up celebrities to break them back down. The Plastics took Caddy, someone who was naive and candid, and turned her Into something she Is not through the manipulation of their own standards and rules.Celebrity culture heavily relies on qualities of manipulation. This was done through thru burn book, etc Rumors and lies are one are heavily used in manipulation. This is the epitome of celebrity gossip, shown in Mean Girls through Regina George. Regina finds out Caddy has a crush on Aaron Samuels, her ex boyfriend, and promises Caddy that she would talk to Aaron for her; however, Regina fabricates lies to Aaron; â€Å"She [Caddy] writes all over her notebook ‘Mrs.. Aaron Samuels'. And she made this tee-shirt that says, ‘l heart Aaron', and she wears it under all her clothes†¦She saved this Kleenex you used and she said she's going to do some kind of African voodoo with it to make you like her†. Evidence In nineteenth century litera ture Is provided In Frankincense, when Victor Frankincense manipulates his monster through lies: He tells his monster he would create a female companion for him, and afterward declares â€Å"Bygone! I do break my promise: never will I create another like yourself, equal in deformity and wickedness† and proceeds â€Å"to [tear] to pieces the thing on which [he] was engaged† (175).Both Regina and Victor broke their promises, developing a kind of behavior that is so focused on policing others, they almost seem to lose track of themselves; they are so busy broadcasting what they hate, and so focused on consumption of their rival with their loathsome fascination, they do not realize their own personalities turn monstrous. They become so engrossed in this idea, they are unable to distinguish that this hate they developed is the sole reason for their viciousness and misery.This happens when one must realize one's own identity Is crafted from the act of hating. It almost seems Like superficial celebrities In celebrity ultra love, yet hate, to be hated; yet they love the act of hating, and use this hate to surround their world. This kind of â€Å"high school† attitude filled with rumors and Lies that Regina possesses exists in the celebrity world, and if it continues, it will influence animosity and disgust, that a world of peace, accuracy, and love may no longer be accomplished. Another key to manipulation is secrecy.There are countless examples of this in Mean Girls. For example, the scene of The Plastics when they are all on the phone; When Gretchen was on the phone with Caddy, it turned out to be a three-way call with Regina, but Caddy didn't know. This complexity progress when viewers realize the girls are all interlinked, all on the phone with each other on separate lines; Karen gets a call from Regina, puts her on hold, and proceeds to talk to Gretchen and says, â€Å"It's Regina, she wants to hang out tonight but she told me not to tell yo u†.This is similar to the theme of secrecy in Frankincense: Victor states, â€Å"The world to me, is a secret, which I desired to discover† (26), â€Å"l have one secret, Elizabeth, a dreadful one; when revealed to you, it will chill your frame with horror† (218), and he refuses to tell the secret to his audience, telling them to â€Å"listen patiently until the end of [his] story, with which [he] is acquainted with† (44). This is similar to Mantilla, where â€Å"[her father] has a secret grief that destroys [them] both: but [he] must permit [Mantilla] to win this secret from [him]† (47).The fact that one possesses a secret, holds it vital, and purposely shields it from the world acknowledges a kind of unmoral sin, or practical wrongdoing; celebrities allow these secrets to internally eat them alive like in Frankincense and Mantilla, or whether it makes their behavior more aggressive eke in Mean Girls, these secrets have the ability to change and ma nipulate others. In celebrity culture, a secret is a form of power, yet vulnerability – a secret itself could stand for everything one can't see.The public blows these secrets up with crazy ideas and provides evidence with the theories they project onto it. The secret could mean nothing, yet everything, at the same time. This is because that a secret exists. It does not matter what the secret actually is, because the people who spread the knowledge of the secret form its monstrosity. The people have ample opportunity to take control, seceding as a whole or individuals whether they want to make up a rumor, lie, tell the truth, say nothing, or contribute to the situation.The people are monsters, because they take complete control over the situation. An example of this is all of Lord's â€Å"fans† who (most likely) made her miserable because they did not approve of the physical appearance of her boyfriend. [A concluding sentence is needed here] Manipulation is also acquir ed through self-pity, which is shown in Mean Girls with the Burn Book. The Burn Book, which belongs to Regina George, is a book essentially signed to bully her classmates: it has students' pictures with mean phrases, secrets, and other things about them.Regina takes her book, puts her own picture on it, and writes something mean about herself. She then reports it to her school's principal and says, â€Å"l found it in the girl's bathroom! It's so mean†. This is similar to when Victor seeks sympathy from Elizabeth in Frankincense: â€Å"If you knew what I have suffered from, and what I may yet endure, you would endeavor to let me taste the quiet, and freedom from despair, that this one day at least permits me to enjoy' (222).In The Complete Poems and Selected Letters of John Keats, in a short poem called â€Å"When I have Fears†, self-pity is asked for when Keats shows he is in pain, likes the pain, and wants to be acknowledged for his pain: â€Å"Of the wide world I stand alone, and think Till love and fame to nothingness do sink† (301). Just like Keats and Shelley, their own needs. Regina did this Just so she could get Caddy in trouble, Frankincense did this to make it look like it wasn't entirely his fault for the monster's actions, and Keats uses his fans' sympathy to become liked.The public falls into a part of this ultra, where one blames someone else; even the victims themselves get blamed for fault. Besides from celebrities' success, looks, and wealth, it is not uncommon for the public to condone that they are people, humans, Just like them. The public is essentially casting a negative eye upon themselves. Celebrities have people who work with them to help mold their image, but the impossible standards of beauty and perfection they try to fulfill originates from the endless, harsh scrutiny the public places upon them.When a celebrity breaks this image, or differs from the norm, they automatically are seen as monstrous, resulting in sneering and degrading comments from fans. This monstrosity on the celebrities has a counter-effect on the fans; every time there is a mean comment, they are normalizing harsh Judgment, extreme reactions, and offensive language. Celebrity culture takes the blame on how the public has developed a cruel society, through self-pity. Another quality of manipulation used in celebrity culture is feigning their own innocence; this is seen quite often in Mean Girls.Gretchen bullies Regina for violating the rules of their â€Å"girl world† by wearing sweatpants on Monday, and Regina lams she is forced to wear sweatpants because, â€Å"sweatpants are all that fits [her] right now', implying she is â€Å"innocent† because it is not her fault she has to wear those. Another scene is where Regina claims innocence is during lecture, (â€Å"workshop†), in the gym, after the Burn Book is discovered: Regina claims, â€Å"Can I Just say we don't have a clique problem at this sch ool, and some of us shouldn't have to take this workshops because some of us are victims in this situation? Regina implies she is â€Å"innocent†, and she herself is a victim. The teacher responds, â€Å"That's probably rue, how many of you have ever felt personally victimize by Regina George? † Actual innocence and feigning innocence is a huge role in Frankincense: though Victor blames himself for the monster killing his family, despite his creation, he convinces himself that he is â€Å"innocent† and expresses how he feels like the victim. Victor is a contradiction: he is innocent, yet, uses that to his advantage to feign his innocence.He is innocent because he has never intended his creation to turn into an actual form of monstrosity, but yet, feigns innocence by his hiding his guilt and hiding his knowledge about his family's deaths. Victor's innocence decreases over time throughout the novel; his â€Å"UN-innocent† behavior destroys the monster's inn ocence. Victor is performing an act that could be considered â€Å"monstrous† in manipulation by taking away the genuine innocence of one who was never given a chance to prove that innocence. At first Victor decides to â€Å"at least listen to [the monster's] tale† (105), but later on, he decides to â€Å"tore to pieces†¦ The thing on which the creature's] future existence he depended for happiness† (190), not giving the monster a chance to uphold its promise. Celebrities start out with genuine innocence, become corrupted, and may attempt to feign their innocence through their roles – However, once celebrities feign their innocence they are portrayed as â€Å"monstrous†, they are not given a chance to stick up for themselves properly without media and public interference. Lindsay Loan, off the set of Mean Girls, got into drugs, which could â€Å"feign innocence†, and assume that she had no role in her fans doing drugs.According to Good Charlotte, this kind of manipulation is the price of having a lifestyle of â€Å"the rich and the famous† (song lyrics). The most vital quality in manipulation is the key tactic in order to be able to get away with spreading rumors and lies, maintain secrecy, create self-pity, and feign illness. Control itself is the piece that connects all of these qualities. Throughout Mean Girls, there are many scenes were one of The Plastics are in control: At the talent show at school, Regina demands for Gretchen to switch sides with Caddy. When Gretchen protests, Regina says, â€Å"Right now you're getting on my last nerve.Switch! † Gretchen acknowledges this control by obeying. Caddy was also acknowledging control hen she fulfills Region's invite to eat lunch with them â€Å"everyday for the rest of the week†. In the beginning of the movie, Regina took control of Caddy social life. Halfway through, Caddy became the center of attention; she gained control of Region's previ ous fame and publicity and made it her own. The previous examples also hint at some aspect of control. Control is also seen in Frankincense, where the monster says, Mimi are my creator, but I am your master;-obey! (174). Victor chooses condone the monster, and the monster responds by taking control, killing all of Victor's family embers. Control in Charitable is implied when Geraldine takes on a role of masculinity: â€Å"lay down by the maiden's side: And in her arms the maid she took† (250-251). In The Major Works, â€Å"Farewell to a Lady' by Lord Byron shows how a woman's beauty takes control of his life: â€Å"In flight I shall be surely wise, Escaping from temptation's snare; I cannot view my Paradise, Without the wish of dwelling there† (1).By the word â€Å"flight†, viewers can assume he is going to commit suicide as a means to control the elimination of all ties with the Earthly Paradise's temptation. This kind of intro can relate to monstrosity and ce lebrity culture in a number of ways; first, one can see that the society of celebrity culture is so monstrously powerful, it is out of the control of the public to change it. Only the celebrities themselves have control of their own lives and culture and how they want to live it.Second, celebrity culture has so much control and influence over their audience, that they are not only controlling their own lives, but dominating American culture as a whole. By celebrities constantly sleeping with one another, taking part in the lies, secrecy, self-pity, and feigning their innocence inspires the public to act in the same manner. Third, by the news being so obsessed with the daily lives of celebrities, it almost implies as if they are encouraging the public to become more and more like celebrity stalkers.Lastly, they manipulate the public into believing their redefined definition of happiness, which solely consists of money, fame, and beauty. Rumors, lies, secrecy, self-pity, feigning inno cence, and control all tangle together to layer and overlap and form manipulation; celebrity manipulators do not only have control of their own world, but also wish to control the world of others. This allows them to occupy both worlds at the same time, with their rules, in their way: how much more control could a person possibly want?These qualities of manipulation in celebrity culture are allowing people to lose touch with things that are the most important in life, like friends and family. Celebrity culture is so controlling that it even takes over the roles of others. In Celebrity Culture: Are Americans Too Focused on Celebrities, Tompkins, a group an example of how celebrities are taking the roles of [super] heroes: â€Å"When I ask allege and high school students who their heroes are, they usually name celebrities, such as athletes or movie stars, not names that did something heroic or noteworthy. (Tompkins 4). Celebrity culture is now one of our prime sources of entertainmen t; ultimately, celebrity culture manipulates to control their audience's society in such a monstrous way so they are not able to distinguish the difference between genuine importance and the importance of celebrity news. One day, I fear genuinely important news, (politics, world news, emergency issues) will be ignored unless it is presented as a source of entertainment, like celebrity culture. Mean Girls Stacy Gregg Sociology M/W 11:30 Sociological Themes Sociology is everywhere we look, its everything thing we are, and can be described within everything we do. The traditional focuses of sociology have included social stratification, social class, culture, social mobility, religion, secularization, law, and deviance. As all spheres of human activity are affected by the interplay between social structure and individual agency, sociology has gradually expanded its focus to further subjects, such as health, medical, military and penal institutions, the Internet, and the role of social activity in the development of scientific knowledge.Looking through films you can see many sociological themes. I chose to look at â€Å"Mean Girls† and pull the sociological themes out. Mean Girls is a movie about a girl, Cady, who moves to the US from Africa and starts at a new school. She immediately befriends two outcasts, who explain the school's social scene. There are a group of three girls ( the â€Å"Plastics†) who are popular, malicious and rule the school. As a trick, these three girls befriend Cady.Her outcast friends encourage her to hang out with the Plastics to see what they do. But as she spends more time with them, she becomes more and more like them, backstabbing, mean, self-obsessed, and superficial. When Cady and the leader of the Plastics go after the same guy, she begins to plot their destruction, and starts sabotaging the girls in worse and worse ways. Eventually she separates from her original friends and her Plastic friends.When the entire school finds out about some of the terrible things the Plastics have said about them by finding a â€Å"Burn Book† everyone turns against the Plastics and Cady. Eventually, she must apologize to everyone she hurt and begin to find a way to become a better person. The first sociological theme I would like to address is stereotypes. A stereotype is defined as a widely held but fixed and oversimplified imag e or idea of a particular type of person or thing.Mean Girls portrays high school stereo types rather well, at school there are groups such as try-hards, wannabes, burn-outs, band geeks, nerds, the popular girls, the jocks and art freaks. All the girls wants to be a plastic so to speak and they all display it in different ways like how the girls who eat nothing are trying to be thin so they can be like the plastics, but the girls who eat their feelings are also trying to be a plastic but by eating they are showing I don’t care what anybody thinks of me, which is a popular trait.Then when everyone is explaining Regina George and one girl says â€Å"One time she punched me in the face†¦ It was awesome! † this implies that this â€Å"wannabe† made contact with Regina George even though it is contact most people don't what it is contact nonetheless which she hopes has passed on a bit of Regina George's popularity. References: (2011, 04). â€Å"Mean Girls† Analysis. StudyMode. com. Retrieved 04, 2011, from http://www. studymode. com/essays/Mean-Girls-Analysis-676080. html Mean Girls Celebrity Culture in Mean Girls Mean Girls, written by Tina Fey and directed by Mark Waters, takes Its viewers through high school from the perspective of Caddy Heron, a young girl who never known what â€Å"high school† genuinely meant. Upon arrival, she makes friends with Janis and Diana, who were in the stereotypical â€Å"unpopular† crowd. They warn her to stay away from â€Å"The Plastics†, an exclusive clique that includes three drama-filled girls who are superficial, spiteful, and have vicious attitudes that obtain their power and fame from beauty and glamour.However, â€Å"The Plastics† ask Caddy to Join them. Caddy, Janis, and Diana together plot against the leader of The Plastics, Regina George, the most monstrous of them all. In reality, the more time Caddy spends with The Plastics, the more she starts to actually become one. The Plastics themselves show how monstrous qualities are formed in celebrity culture, while the use of Caddy is the perfe ct example of how culture builds up celebrities to break them back down. The Plastics took Caddy, someone who was naive and candid, and turned her Into something she Is not through the manipulation of their own standards and rules.Celebrity culture heavily relies on qualities of manipulation. This was done through thru burn book, etc Rumors and lies are one are heavily used in manipulation. This is the epitome of celebrity gossip, shown in Mean Girls through Regina George. Regina finds out Caddy has a crush on Aaron Samuels, her ex boyfriend, and promises Caddy that she would talk to Aaron for her; however, Regina fabricates lies to Aaron; â€Å"She [Caddy] writes all over her notebook ‘Mrs.. Aaron Samuels'. And she made this tee-shirt that says, ‘l heart Aaron', and she wears it under all her clothes†¦She saved this Kleenex you used and she said she's going to do some kind of African voodoo with it to make you like her†. Evidence In nineteenth century litera ture Is provided In Frankincense, when Victor Frankincense manipulates his monster through lies: He tells his monster he would create a female companion for him, and afterward declares â€Å"Bygone! I do break my promise: never will I create another like yourself, equal in deformity and wickedness† and proceeds â€Å"to [tear] to pieces the thing on which [he] was engaged† (175).Both Regina and Victor broke their promises, developing a kind of behavior that is so focused on policing others, they almost seem to lose track of themselves; they are so busy broadcasting what they hate, and so focused on consumption of their rival with their loathsome fascination, they do not realize their own personalities turn monstrous. They become so engrossed in this idea, they are unable to distinguish that this hate they developed is the sole reason for their viciousness and misery.This happens when one must realize one's own identity Is crafted from the act of hating. It almost seems Like superficial celebrities In celebrity ultra love, yet hate, to be hated; yet they love the act of hating, and use this hate to surround their world. This kind of â€Å"high school† attitude filled with rumors and Lies that Regina possesses exists in the celebrity world, and if it continues, it will influence animosity and disgust, that a world of peace, accuracy, and love may no longer be accomplished. Another key to manipulation is secrecy.There are countless examples of this in Mean Girls. For example, the scene of The Plastics when they are all on the phone; When Gretchen was on the phone with Caddy, it turned out to be a three-way call with Regina, but Caddy didn't know. This complexity progress when viewers realize the girls are all interlinked, all on the phone with each other on separate lines; Karen gets a call from Regina, puts her on hold, and proceeds to talk to Gretchen and says, â€Å"It's Regina, she wants to hang out tonight but she told me not to tell yo u†.This is similar to the theme of secrecy in Frankincense: Victor states, â€Å"The world to me, is a secret, which I desired to discover† (26), â€Å"l have one secret, Elizabeth, a dreadful one; when revealed to you, it will chill your frame with horror† (218), and he refuses to tell the secret to his audience, telling them to â€Å"listen patiently until the end of [his] story, with which [he] is acquainted with† (44). This is similar to Mantilla, where â€Å"[her father] has a secret grief that destroys [them] both: but [he] must permit [Mantilla] to win this secret from [him]† (47).The fact that one possesses a secret, holds it vital, and purposely shields it from the world acknowledges a kind of unmoral sin, or practical wrongdoing; celebrities allow these secrets to internally eat them alive like in Frankincense and Mantilla, or whether it makes their behavior more aggressive eke in Mean Girls, these secrets have the ability to change and ma nipulate others. In celebrity culture, a secret is a form of power, yet vulnerability – a secret itself could stand for everything one can't see.The public blows these secrets up with crazy ideas and provides evidence with the theories they project onto it. The secret could mean nothing, yet everything, at the same time. This is because that a secret exists. It does not matter what the secret actually is, because the people who spread the knowledge of the secret form its monstrosity. The people have ample opportunity to take control, seceding as a whole or individuals whether they want to make up a rumor, lie, tell the truth, say nothing, or contribute to the situation.The people are monsters, because they take complete control over the situation. An example of this is all of Lord's â€Å"fans† who (most likely) made her miserable because they did not approve of the physical appearance of her boyfriend. [A concluding sentence is needed here] Manipulation is also acquir ed through self-pity, which is shown in Mean Girls with the Burn Book. The Burn Book, which belongs to Regina George, is a book essentially signed to bully her classmates: it has students' pictures with mean phrases, secrets, and other things about them.Regina takes her book, puts her own picture on it, and writes something mean about herself. She then reports it to her school's principal and says, â€Å"l found it in the girl's bathroom! It's so mean†. This is similar to when Victor seeks sympathy from Elizabeth in Frankincense: â€Å"If you knew what I have suffered from, and what I may yet endure, you would endeavor to let me taste the quiet, and freedom from despair, that this one day at least permits me to enjoy' (222).In The Complete Poems and Selected Letters of John Keats, in a short poem called â€Å"When I have Fears†, self-pity is asked for when Keats shows he is in pain, likes the pain, and wants to be acknowledged for his pain: â€Å"Of the wide world I stand alone, and think Till love and fame to nothingness do sink† (301). Just like Keats and Shelley, their own needs. Regina did this Just so she could get Caddy in trouble, Frankincense did this to make it look like it wasn't entirely his fault for the monster's actions, and Keats uses his fans' sympathy to become liked.The public falls into a part of this ultra, where one blames someone else; even the victims themselves get blamed for fault. Besides from celebrities' success, looks, and wealth, it is not uncommon for the public to condone that they are people, humans, Just like them. The public is essentially casting a negative eye upon themselves. Celebrities have people who work with them to help mold their image, but the impossible standards of beauty and perfection they try to fulfill originates from the endless, harsh scrutiny the public places upon them.When a celebrity breaks this image, or differs from the norm, they automatically are seen as monstrous, resulting in sneering and degrading comments from fans. This monstrosity on the celebrities has a counter-effect on the fans; every time there is a mean comment, they are normalizing harsh Judgment, extreme reactions, and offensive language. Celebrity culture takes the blame on how the public has developed a cruel society, through self-pity. Another quality of manipulation used in celebrity culture is feigning their own innocence; this is seen quite often in Mean Girls.Gretchen bullies Regina for violating the rules of their â€Å"girl world† by wearing sweatpants on Monday, and Regina lams she is forced to wear sweatpants because, â€Å"sweatpants are all that fits [her] right now', implying she is â€Å"innocent† because it is not her fault she has to wear those. Another scene is where Regina claims innocence is during lecture, (â€Å"workshop†), in the gym, after the Burn Book is discovered: Regina claims, â€Å"Can I Just say we don't have a clique problem at this sch ool, and some of us shouldn't have to take this workshops because some of us are victims in this situation? Regina implies she is â€Å"innocent†, and she herself is a victim. The teacher responds, â€Å"That's probably rue, how many of you have ever felt personally victimize by Regina George? † Actual innocence and feigning innocence is a huge role in Frankincense: though Victor blames himself for the monster killing his family, despite his creation, he convinces himself that he is â€Å"innocent† and expresses how he feels like the victim. Victor is a contradiction: he is innocent, yet, uses that to his advantage to feign his innocence.He is innocent because he has never intended his creation to turn into an actual form of monstrosity, but yet, feigns innocence by his hiding his guilt and hiding his knowledge about his family's deaths. Victor's innocence decreases over time throughout the novel; his â€Å"UN-innocent† behavior destroys the monster's inn ocence. Victor is performing an act that could be considered â€Å"monstrous† in manipulation by taking away the genuine innocence of one who was never given a chance to prove that innocence. At first Victor decides to â€Å"at least listen to [the monster's] tale† (105), but later on, he decides to â€Å"tore to pieces†¦ The thing on which the creature's] future existence he depended for happiness† (190), not giving the monster a chance to uphold its promise. Celebrities start out with genuine innocence, become corrupted, and may attempt to feign their innocence through their roles – However, once celebrities feign their innocence they are portrayed as â€Å"monstrous†, they are not given a chance to stick up for themselves properly without media and public interference. Lindsay Loan, off the set of Mean Girls, got into drugs, which could â€Å"feign innocence†, and assume that she had no role in her fans doing drugs.According to Good Charlotte, this kind of manipulation is the price of having a lifestyle of â€Å"the rich and the famous† (song lyrics). The most vital quality in manipulation is the key tactic in order to be able to get away with spreading rumors and lies, maintain secrecy, create self-pity, and feign illness. Control itself is the piece that connects all of these qualities. Throughout Mean Girls, there are many scenes were one of The Plastics are in control: At the talent show at school, Regina demands for Gretchen to switch sides with Caddy. When Gretchen protests, Regina says, â€Å"Right now you're getting on my last nerve.Switch! † Gretchen acknowledges this control by obeying. Caddy was also acknowledging control hen she fulfills Region's invite to eat lunch with them â€Å"everyday for the rest of the week†. In the beginning of the movie, Regina took control of Caddy social life. Halfway through, Caddy became the center of attention; she gained control of Region's previ ous fame and publicity and made it her own. The previous examples also hint at some aspect of control. Control is also seen in Frankincense, where the monster says, Mimi are my creator, but I am your master;-obey! (174). Victor chooses condone the monster, and the monster responds by taking control, killing all of Victor's family embers. Control in Charitable is implied when Geraldine takes on a role of masculinity: â€Å"lay down by the maiden's side: And in her arms the maid she took† (250-251). In The Major Works, â€Å"Farewell to a Lady' by Lord Byron shows how a woman's beauty takes control of his life: â€Å"In flight I shall be surely wise, Escaping from temptation's snare; I cannot view my Paradise, Without the wish of dwelling there† (1).By the word â€Å"flight†, viewers can assume he is going to commit suicide as a means to control the elimination of all ties with the Earthly Paradise's temptation. This kind of intro can relate to monstrosity and ce lebrity culture in a number of ways; first, one can see that the society of celebrity culture is so monstrously powerful, it is out of the control of the public to change it. Only the celebrities themselves have control of their own lives and culture and how they want to live it.Second, celebrity culture has so much control and influence over their audience, that they are not only controlling their own lives, but dominating American culture as a whole. By celebrities constantly sleeping with one another, taking part in the lies, secrecy, self-pity, and feigning their innocence inspires the public to act in the same manner. Third, by the news being so obsessed with the daily lives of celebrities, it almost implies as if they are encouraging the public to become more and more like celebrity stalkers.Lastly, they manipulate the public into believing their redefined definition of happiness, which solely consists of money, fame, and beauty. Rumors, lies, secrecy, self-pity, feigning inno cence, and control all tangle together to layer and overlap and form manipulation; celebrity manipulators do not only have control of their own world, but also wish to control the world of others. This allows them to occupy both worlds at the same time, with their rules, in their way: how much more control could a person possibly want?These qualities of manipulation in celebrity culture are allowing people to lose touch with things that are the most important in life, like friends and family. Celebrity culture is so controlling that it even takes over the roles of others. In Celebrity Culture: Are Americans Too Focused on Celebrities, Tompkins, a group an example of how celebrities are taking the roles of [super] heroes: â€Å"When I ask allege and high school students who their heroes are, they usually name celebrities, such as athletes or movie stars, not names that did something heroic or noteworthy. (Tompkins 4). Celebrity culture is now one of our prime sources of entertainmen t; ultimately, celebrity culture manipulates to control their audience's society in such a monstrous way so they are not able to distinguish the difference between genuine importance and the importance of celebrity news. One day, I fear genuinely important news, (politics, world news, emergency issues) will be ignored unless it is presented as a source of entertainment, like celebrity culture.

Literary Analysis The Lesson Essay

The predominant theme in â€Å"The Lesson† composed by Toni Cade Bambara is creating an understanding to adolescents of all the opportunities life has to offer; a lesson on social class and having a choice which society you choose to live in. Miss. Moore who takes on the responsibility to educate the young ones has intentions of more than just taking the children to the store for amusement. Miss Moore’s informal lessons are aimed at educating the neighborhood children about how their lives differ from those of rich white children, nonetheless Miss Moore wants the children to see they can live the life of the rich and high society. An essential element that adds to the depth and enhances a reader’s comprehension of â€Å"The Lesson† is the author’s use of symbolism throughout the story. Sylvia, the narrator of the story, is a born leader. She is used to being in charge of what the rest of her friends think and do. Sylvia resents the appearance of Miss Moore in her life. Miss Moore is a new kind of black woman. She has no first name but is always addressed with her title. She has â€Å"nappy hair and proper speech and no makeup†(Bambara 98). The neighbors are not quite sure how to respond to her, which is illustrated by the way Sylvia describes her as someone to laugh at, â€Å"the way we did at the junk man,† (Bambara 98) who is considered arrogant and acting above his place. Sylvia also describes Miss Moore in terms of being an unpleasant obstacle, like the winos â€Å"who cluttered up our parks and pissed on our handball walls†(Bambara 98). Clearly the author shows the extent of which Sylvia dislikes Miss Moore. Although the people in the neighborhood are unsure of Miss Moore the parents of the children allow her to take them on an outing. Miss Moore, the children’s self appointed mentor, takes it upon herself to further their education during the summer months. She feels this is her civic duty because she is educated. She used F. A. O. Schwarz, a very expensive toy store, to teach them a lesson and inspire them to strive for success and attempt to better themselves and their situations. The extreme differences between the children’s neighborhood and the neighborhood of the toy store are first illustrated by the fact that the white people on Fifth Avenue wear furs and stockings even on a hot summer’s day. Then we check out that we on Fifth Avenue and everybody dressed up in stockings. One lady in a fur coat, hot as it is†(Bambara 99). The children are thrown off balance in this neighborhood, as if it were a foreign country where even the approach to temperature is different. To Miss Moore, education is the key to more money and improved social conditions. To Sylvia, being educated means seeing things as they are. Sylvia and Miss Moore both have a considerable amount of pride. Sylvia thinks Miss Moore shows disrespect when she describes their neighborhood as a slum and their families as poor. Bambara has indicated that Sylvia’s family is striving for better conditions through the mention of the piano rental. Miss Moore views the children’s acceptance of their economic condition as ignorance and their ignorance as disrespect for their race. Miss Moore wants to change this attitude and encourages the children to demand more from the society that keeps them down. By the end of the story, both of these characters have made their points. Sylvia realizes that she feels in competition not only with Miss Moore, but also with her good friend Sugar, who is ready to slide back into their usual behavior after having had some surprising insights about the day. Rather than accompany Sugar, Sylvia decides to go her own way and makes a promise to herself that no one will get ahead of her in the future. Miss Moore’s character, with her emphasis on education, is the symbol of one way to fight the usual, fatalistic acceptance of economic conditions by the poor â€Å"The Lesson† is a wonderful work of fiction because of its use of language, humanistic theme, and symbolism.

Study of Belt Drive Lab Report Example | Topics and Well Written Essays - 2000 words

Study of Belt Drive - Lab Report Example Though gears are more efficient, they can only work with fixed gear ratios. Various in case of belts they can work with continuously varying sizes of the pulleys, thus enabling usage at all levels. Belts are used in applications in the kitchen grinders to cars. While belts can transmit power, they are generally considered inefficient because of the slip between the pulley and the belt. This also results in ineffective transmission ratio and hence the speed. The slip of a belt depends on the coefficient of friction between the two, the shape of the belt and the torque transmitted. Belts used can be flat belts which are supposed to have a higher slip compared the vee belts. Originally, belts were made of leather and rubber but today a number of synthetic materials and steel based belts are available that reduce the wear and tear. The relationship between the tensions in the slipping pulley is studied and recorded by Grosjean1 and Fawcett and Burdes2 using the apparatus shown in the figure 1. The details are shown in the calculations below: 1. The motor voltage is set at 10V and the angle of contact between the pulley and the string is made 90 degrees. The pulley direction is maintained such that the weight tension is more than the spring tension at the spring balance end. The theoretical values and the experimental values do not tally. ... 3. Apparatus The experiment has the following apparatus in place as shown in figure 1. 1. There is a variable speed DC electric motor driving pulley of a fixed radius. 2. The pulley has on one end a series of weights which is variable from 0 N to 10 N. 3. On the other end, the string running over the pulley supports a spring balance which helps in measuring the tension on the other side. 4. The angle of contact between the pulley and the string can be set to four different values 5. The motor voltage and current is measured using digital meters and the rotational speed of the pulley is measured using a digital tachometer. 4. Procedure The following procedure is followed during the experiment: 1. The motor voltage is set at 10V and the angle of contact between the pulley and the string is made 90 degrees. The pulley direction is maintained such that the weight tension is more than the spring tension at the spring balance end. 2. Load T2 is varied by hanging a range of weights on the string. For each weight the string tension along the spring balance is measured and recorded. 3. The load is varied until the motor stalls and the red current control light starts flickering. 4. This operation is repeated for various string contact angles of 180, 270 and 360 degrees. 5. For one contact angle alone, in addition to measuring the tensions, the pulley speed, the voltages and the current at the motor end are also measured and recorded. 5. Results The results of the above experiment are recorded below: Belt Drive Results 90degrees T2 T1 Voltage (V) Current (A) Motor Speed (rpm) Motor Speed

Journal Entry, topic novel 'The Feast of Love-by Charles Baxter' Essay

Journal Entry, topic novel 'The Feast of Love-by Charles Baxter' - Essay Example Some couples feel love is best expressed by living a traditional lifestyle. Society’s concept of love begins with a perfect family consisting of two parents, children, a white picket fence and a dog. Mothers and Fathers stay together, raising their children. Some couples lives this way happily. The Feast of Love depicts a couple who took this approach. The Ginsbergs raised three children, bought a house and were content to spend their golden years with each other. Both of the Ginsbergs are also Jewish. Even thought they aren’t practicing Jews, their heritage plays a big role in making them fit together. This idea of love fit them. When couples cannot agree on love, divorce becomes the answer. Bradley, the Ginsbergs’ neighbor, was not married once, but twice. Bradley married his first wife with the belief that love was between a man and a woman. He never dreamed that Kathryn would leave him for another woman. Kathryn thought if she married Bradley, he would love her the way she needed. When she realized that Bradley couldn’t love her enough, that no man could, Kathryn started noticing women. Kathryn found her love could exist with another woman. Some lovers believe commitment is not a necessary part of love. Bradley’s second wife, Diana, felt this way. She had a long running affair with a married man named David. When she met Bradley and started dating him, Diana felt no need to give David up. She even saw David after she had accepted Bradley’s proposal. Although Diana avoided David during the couple of months she was married, she never totally put him out of her mind. Though David was still married after her divorce, Diana went right back to him. Marriage was not sacred to her. Being with the person she loved was more important than a piece of paper. Marriage is not a part of love for some people. After Bradley’s two marriages failed, he didn’t really want to go down

102 exam question 1 Article Example | Topics and Well Written Essays - 500 words

102 exam question 1 - Article Example People make decisions based on what actions will please others, especially authority figures and other individuals with high statuses such as managers. They are concerned about maintaining relationships through trust and loyalty. Individuals take other peoples perspectives and intentions into account when making personal decisions. People recognize that rules represent agreements among many individuals about appropriate behavior. Rules are seen as potentially useful mechanisms that can maintain the general social order. People also recognize the flexibility of rules; rules that no longer serve a societys best interests can and should be changed. Only a few people ever reach this ideal stage. People in this stage adhere to a few abstract, universal principles. Individual answer to a strong inner conscience and willingly disobey laws that violate their own ethical principles. In order to translate what is on paper, the theory to apply practically, the management will have to excises some functions such as work delegation; this enables individuals to fully exercise moral ethics which they presume as best suit. Through consultations of individuals in decision making, moral and ethical behavior of individuals is revealed. Thus the management should involve its staff in decision making procedures. This will help a big deal in putting into practice the theory of moral ethics. The stages as stipulated by Kohlberg are distinct and tend to conflict. For example a person who justified a decision on the basis of principled reasoning in stages 5 or 6 would frequently fall conflict while reasoning with stages 3 or 4 in another events. In practice it seems that reasoning about right and wrong depends more upon the situation than upon general rules. Gilligan reached the conclusion that Kohlberg’s theory did not account for the fact that women approach moral problems from an ‘ethics of care’, rather than an ‘ethics of justice’ perspective, which challenges