Tuesday, May 28, 2019

Music and Musicians in the Renaissance Essay examples -- Exploratory E

euphony and Musicians in the renascenceIf music be the food of love, romance on Orsino, Twelfth NightIn the Elizabethan Era (1558-1603) and the Jacobean Era (1603-1625), there was a fondness for spectacle and pageantry. At court, trumpets and drums resounded to announce mealtimes in town, these instruments were used by theatre troupes to herald upcoming performances (Renaissance & Baroque Society of Pittsburgh, 2003, and Folkerth, 2002). Music, then, is applied boldly and lavishly in everyday life and in drama, an unreal of life.Musical Instruments The major classes of musical instruments used in the High and Late Renaissance include plucked strings, bowed strings, brass, double reeds, other winds, keyboards, and percussions (McGee, 1985). Lutes, drums, and trumpets were ofttimes used, but the instruments that were especially popular during the Renaissance include the bass viol, treble viol, viola, violin, tenor sackbut, cornetto, bass sackbut, curtal, tenor shawm, bass recorder, and harpsichord (McGee, 1985).Instrumental Music From the betimes Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are septette categories of instrumental music 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo give tongue to (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brow... ...cobean periods.Works Cited Brown, Howard M. Music in the Renaissance. Englewood Cliffs, New Jersey Prentice-Hall, Inc., 1976.Folkerth, Wes. The Sound of Shakespeare. London Routledge, 2002.McGee, Timothy J. Medieval and Renaissance Music A Performers Guide. Toronto University of Toronto Press, 1985.Novak, Elaine Adams. Staging Shakespearean Theatre. Cincinnati, Ohio Betterway Books, 2000.Renaissance & Baroque Society of Pittsburgh. Shakespeares Top 40. Available http//www.rbsp.org/current_season/shakespeare.php, March 2003.Shirley, Frances Ann. Shakespeares Use of Off-Stage Sounds. Lincoln University of Nebraska Press, 1963.University of Victoria. Elizabethan Court Musicians. Available http//web.uvic.ca/shakespeare/ program library/SLTnoframes/literature/courtmusicians.html, date unavailable. Accessed March 4, 2003.

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